W12.1 May 20 (Mon)XUE DONGXIN

 Summary

Dramaturgical sociology, introduced by Erving Goffman, employs theatrical performance as a metaphor to analyze everyday social interactions at a microsociological level. This perspective views individuals as "actors" who strategically present themselves to an "audience" using front stage and backstage elements. Goffman's concept from his 1956 work, "The Presentation of Self in Everyday Life," explores how self-awareness is constructed through deliberate performances. It emphasizes how factors like context, timing, and audience perception influence human behavior. Other sociologists, such as Jürgen Habermas and Harold Garfinkel, have expanded on Goffman's ideas, applying them to study power dynamics and identity formation in various social contexts, including social movements and digital platforms.


Interesting Point

The analogy of theatrical performance in dramaturgical sociology offers a unique lens through which to understand human behavior and interaction dynamics. By applying dramatic techniques, researchers can delve into power struggles within social interactions and the construction of identities in digital spaces like social media. This perspective remains relevant today, providing insights into how individuals strategically manage their public image and navigate social roles in different settings.


Question

How do participants in dramatized social movements strategically use self-presentation to shape their goals and tactics for achieving social change?






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